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SELECTED PUBLICATIONS 2013          Patrick F. Gillham,  Bob Edwards, and John Noakes. 2013. “Strategic Incapacitation and the Policing of Occupy Wall Street in New York City, 2011.” Policing and Society 23(1):82-103. 2008          David Cunningham and John Noakes. “’What if She’s From the FBI?’ The Effect of Covert Forms of Social Control on Social Movements.” In Mathieu Deflem, ed., Surveillance and Governance: Crime Control and Beyond, Sociology of       Crime, Law, and Deviance, Volume 10: 177-200.  Amsterdam: Elsevier (March 2008). 2006            John Noakes and Pat Gillham, “Aspects of the New Penology in the Policing of Recent Mass Protests in the US. “ Pp. 97-116 in The Policing of Transnational Protest, Donatella della Porta, Abby Peterson, Herbert Reiter, eds., Ashgate Press.  2005            John Noakes and Hank Johnston, “Frames and Framing: A Road Map,” in Hank Johnston and John Noakes, eds., Frames of Protest: Social Movements and the Framing Perspective, Rowman & Littlefield Press. 2007           Patrick Gillham and John Noakes.  “’More than a March in a Circle’: Transgressive Protest and the Limits of Negotiated Management.” Mobilization 12(4) 341-358. 2005            John Noakes, Brian Klocke, and Patrick Gillham, “Whose Streets? Police and Protester Struggles over Space in Washington, DC, September 29-30, 2001.” Policing and Society 15(3):235-254. 2003            John Noakes, “Racializing Subversion: The FBI and the Depiction of Race in Early Cold War Movies.” Ethnic and Racial Studies. 26 (4), July, 728-749. 2002            John Noakes and Karin Gwinn Wilkins, “Shifting Frames of the Palestinian Movement.” Media, Culture, and Society 24: 649-671. 2000            John Noakes, “Official Frames in Social Movement Theory: The FBI, HUAC, and the Communist Threat in Hollywood,”  The Sociological Quarterly 41 (4): 639-656.  [Reprinted  in: Hank Johnston and John Noakes, eds., Frames of Protest, Rowman & Littlefield Press, 2005] 1998             John Noakes, "Bankers and Common Men in Bedford Falls: How the FBI Determined that It's a Wonderful Life was a Subversive Movie," Film History, 10, pp. 311-319.